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Budding Prospects is my second novel, published in l984 by Viking. It is subtitled "A Pastoral," and it deals in a comic way with the various disasters and dislocations surrounding a get-rich-quick scheme involving the illicit cultivation of marijuana. It is dedicated to "my horticultural friends," and it is prefaced with two quotes:
"Plough deep, while Sluggards sleep; and ye shall have Corn to sell and to keep,"
Benjamin Franklin, The Way to Wealth; and
"Why, boys, when I was seventeen I walked into the jungle, and when I was twenty-one I walked out.
And by God I was rich,"
Arthur Miller, Death of a Salesman.
The brief excerpt that follows is from Chapter 1 of the opening section, "Preparing the Soil." |
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Excerpt from Budding Prospects |
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EXCERPT FROM BUDDING PROSPECTS:
I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town. About the only thing I didn't give up on was the summer camp.
Let me tell you about it.
Two years ago I was living alone. I woke alone, flossed my teeth alone, worked at odd jobs, ate take-out burritos, read the newspaper and dressed for bed alone. The universe had temporarily pulled in its boundaries, and I was learning to adjust to them. I was thirty-one. I sat at the lunch counter with men of fifty-one, sixty-one, eighty-one, slurped tomato-rice soup and watched the waitress. Sometimes I had dinner with friends, shot pool, went to the aquarium, danced to a pulsing Latino beat in close, atramental clubs; sometimes I felt like a bearded ascetic contemplating the stones of the desert.
On this particular night--it was in late February--I stayed in. I was reading, absorbed in an assault on K2 by a team of Japanese mountaineers, my lungs constricting in the thin burning air, the deadly sting of wind-lashed ice in my face, when the record--Le Sacre du Printemps--caught in the groove with a gnashing squeal as if a stageful of naiads, dryads and spandex satyrs had simultaneously gone lame. I looked up from my book. Rain knocked at the windows like a smirking voyeur, small sounds reverberated through the house--the clank of the regfrigerator closing down, the sigh of the heat starting up--the fire crackled ominously round a nail in a charred two-by-four. At that instant, as if on cue, the buzzer sounded. I gave the tube a rueful glance--zombies in white-face drifted across the screen, masticating bratwurstlike strings of human intestine--put down my book, cinched the terrycloth robe round my waist, and ambled to the head of the stairs. Insistent, the buzzer blatted again.
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