The Inner Circle is my tenth novel, published by Viking in September of 2004. It is set in the period of the late thirties through the mid-fifties of the last century and it contains elements of the Bildungsroman, dramatizing the coming of age of its narrator, John Milk. Milk is a senior at Indiana University in 1939, when a fetching female classmate persuades him to enroll in an explicit course in sex and marriage presided over by one of the university's biology professors, Dr. Alfred C. Kinsey. At this juncture, Kinsey is in his forties and is the world's foremost authority on the gall wasp, but his interest in the biology of human sexuality (as opposed to the emotional terrain) has just begun to blossom into his life's work as a pioneering sex researcher. Milk falls under his sway and becomes the first of Kinsey's disciples—and the first member of his inner circle. The novel follows Milk through his senior year at college, his marriage, parenthood and life-long career as a sex researcher under the auspices of Dr. Kinsey. This scenario allows me to reflect on the nature of our love relationships, on fidelity, jealousy and individuality, on sex as an animal function divorced from emotion, and ultimately, on the institution of marriage itself.

The first epigraph is from William Shakespeare's Antony and Cleopatra :

Eternity was in our lips and eyes,/Bliss in our brows' bent . . .

The second is from Alfred C. Kinsey's Sexual Behavior in the Human Female :

Some sort of non-penile stimulation of the female genitalia is almost universal among the lower mammals, where, however, the lack of prehensile hands places the burden of activity on the nose and mouth of the male.

 
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EXCERPT FROM THE INNER CIRCLE:

 

PROLOGUE
BLOOMINGTON , INDIANA
August 25, 1956

        Looking back on it now, I don't think I was ever actually “sex shy” (to use one of Prok's pet phrases), but I'll admit I was pretty naïve when I first came to him, not to mention hopelessly dull and conventional. I don't know what he saw in me, really—or perhaps I do. If you'll forgive me a moment of vanity, my wife, Iris, claims I was something of a heart-throb on campus, though I would have been the last to know of it because I wasn't dating and had always been uncomfortable with the sort of small talk that leads up to the casual inquiry about after-class plans or what you might or might not be doing on Saturday after the game. I had a pretty fair physique in those days, with a matching set of fullback's shoulders and a thirty-inch waist (I was first-string on my high school team till I suffered a concussion midway through my junior season and my mother put a premature end to my career), and unlike most men at college, I was conscientious about keeping myself in trim—I still am—but that's neither here nor there. To complete the portrait, because already I've managed to get myself out on a limb here, I was blessed with what Iris calls “sensitive” eyes, whatever that might mean, and a thatch of wheat-colored hair with a natural curl that defeated any cream or pomade I'd ever come across. As for sex, I was eager but inexperienced, and shy in the usual way—unsure of myself and just about as uniformed as anyone you could imagine.
        In fact, the first time I developed anything more than a theoretical grasp of what coitus involved—the mechanics of the act, that is—was during my senior year at I.U., in the fall of 1939, when I found myself sitting in a lecture hall jammed to the rafters with silent, dry-mouthed students of both sexes as Prok's color slides played hugely across the screen. I was there at the instigation of Laura Feeney, one of the campus femmes fatales who never seemed to go anywhere without an arm looped through some letterman's. Laura had the reputation of being “fast,” though I can assure you I was never the beneficiary of her sexual largesse (if, in fact, the rumors were true: as I was later to learn, the most provocative-looking women often have the most repressed sex lives, and vice versa). I remember being distinctly flattered when she stopped me in the corridor one day during fall registration, took hold of my arm at the muscle and pecked a kiss on my cheek.
        “Oh, hi, John,” she breathed, “I was just thinking about you. How was your summer?”
        My summer had been spent back home in Michigan City, stocking shelves and bagging groceries, and if I had five minutes to myself my mother had me pruning the trees, reshingling the roof and pulling weeds in the vegetable garden. I was lonely, bored to tears, masturbating twice a day in my attic room that was like a sweatbox in a penal institution.. My only relief derived from books. I came under the spell of John Donne and Andrew Marvell that summer, and I reread Sir Philip Sidney's Astrophel and Stella three times in preparation for an English literature course I was looking forward to in the fall. But I couldn't tell Laura Feeney all this—or any of it. She would have thought me a washout. Which I was. So I just shrugged and said, “All right, I guess.”
        Voices reverberated in the stairwell, boomed in the corners and fled all the way down the corridor to where the registration tables had been set up in the gymnasium. “Yeah,” Laura said, and her smile went cold a moment, “I know how you feel. With me it was work, work, work—my father owns a lunch counter in Fort Wayne , did you know that?”
        I didn't know. I shook my head and felt a whole shining loop of my hair fall loose, though I must have used half a bottle of crème oil on it. I was wearing one of the stiff new Arrow shirts my grandmother had sent me from Chicago and a glen-plaid tie I wore to class every day that year in the hope of making a good impression, my briefcase was in one hand, a stack of library books in the other. As I've said, the gift of small talk eluded me. I think I said something like, “ Fort Wayne , huh?”
        In any event, it didn't matter what I said, because she let her turquoise eyes go wide (she was a redhead, or a strawberry blonde, actually, with skin so white you'd think it had never seen the sun), gave my muscle a squeeze and lowered her voice. “Listen,” she said, “I just wanted to know if you'd mind getting engaged to me—”
        Her words hung there between us, closing out everything else—the chatter of the group of freshmen materializing suddenly from the men's room, the sound of an automobile horn out on the street—and I can only imagine the look I must have given her in response. This was long before Prok taught me to tuck all the loose strands of my emotions behind a mask of impassivity, and everything I was thinking routinely rushed to my face along with the blood that settled in my cheeks like a barometer of confusion.
        “John, you're not blushing, are you?”
        “No,” I said, “not at all. I'm just—”
        She held my eyes, enjoying the moment. “Just what?”
        I shrugged. “We were out in the sun—yesterday it was, yesterday afternoon. Moving furniture. So, I guess, well—”
        Someone brushed by me, an undergraduate who looked vaguely familiar—had he been in my psych class last year?—and then she let the other shoe drop. “I mean, just for the semester. For pretend.” She looked away and her hair rose and fell in an ebbing wave. When she turned back to me, she lifted her face till it was like a satellite of my own, pale and glowing in the infusion of light from the windows at the end of the corridor. “You know,” she said, “for the marriage course?”

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