Drop City is my ninth novel, published by Viking in February of 2003. It is set in 1970 and it deals with the back-to-the-earth movement of that time (read: hippies) and reflects some of the environmental and social concerns I tackled in A Friend of the Earth. If that novel projected twenty-five years into the future, Drop City takes us back thirty-odd years to a time when there were fewer people on earth, and a vision of living more simply, in rejecting the tenets of a consumer society, seemed possible. Drop City is set both in California and Alaska, the remote and unforgiving place to which the Drop City commune relocates itself in order to exist closer to nature. The main characters are Marco, Star and Pan (Ronnie), members of the commune, and Sess Harder and his wife Pamela, denizens of interior Alaska. The subsidiary characters are legion. What is at stake is freedom. That and survival.

The first epigraph is from Ktaadn, by Henry David Thoreau:

Think of our life in nature, --daily to be shown matter, to come in contact with it, rocks, trees, wind on our cheeks! the solid earth! the actual world! the common sense! Contact! Contact! Who are we? where are we?

The second is from The WASP (Texas Radio and the Big Beat), by the Doors:

Let me tell you about heartache and the loss of god,/Wandering, wandering in hopeless night./Out here in the perimeter there are no stars,/Out here we is stoned/Immaculate.

 
Excerpt from Drop City
 
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EXCERPT FROM DROP CITY: 

 

1

        The morning was a fish in a net, glistening and wriggling at the dead black border of her consciousness, but she'd never caught a fish in a net or on a hook either, so she couldn't really say if or how or why. The morning was a fish in a net. That was what she told herself over and over, making a little chant of it-a mantra-as she decapitated weeds with the guillotine of her hoe, milked the slit-eyed goats and sat down to somebody's idea of porridge in the big drafty meeting room, where sixty shimmering communicants sucked at spoons and worked their jaws.
        Outside was the California sun, making a statement in the dust and saying something like ten o'clock or ten-thirty to the outbuildings and the trees. There were voices all around her, laughter, morning pleasantries and animadversions, but she was floating still and just opened up a millionkilowatt smile and took her ceramic bowl with the nuts and seeds and raisins and the dollop of pasty oatmeal afloat in goat's milk and drifted through the door and out into the yard to perch on a stump and feel the hot dust invade the spaces between her toes. Eating wasn't a private act-nothing was private at Drop City-but there were no dorm mothers here, no social directors or parents or bosses, and for once she felt like doing her own thing. Grooving, right? Wasn't that what this was all about? The California sun on your face, no games, no plastic society-just freedom and like minds, brothers and sisters all?
        Star-Paulette Regina Starr, her name and being shrunk down to four essential letters now-had been at Drop City for something like three weeks. Something like. In truth, she couldn't have said exactly how long she'd been sleeping on a particular mattress in a particular room with a careless warm slew of non-particular people, nor would she have cared to. She wasn't counting days or weeks or months-or even years. Or eons either. Big Bang. Who created the universe? God created the universe. The morning is a fish in a net. Wasn't it a Tuesday when they got here? Tuesday was music night, and today-today was Friday. She knew that much from the buzz around the stewpot in the kitchen-the weekend hippies were on their way, and the gawkers and gapers too-but time wasn't really one of her hangups, as she'd demonstrated for all and sundry by giving her Tissot watch with the gold-link wristband to an Indian kid in Taos, and he wasn't even staring at her or looking for a handout, just standing there at the bus stop with his hand clenched in his mother's. "Here," she said, "here," twisting it off her wrist, "you want this?" She'd never been west before, never seen anything like it, and there he was, black bangs shielding his black eyes, a little deep-dwelling Indian kid, and she had to give him something. The hills screamed with cactus. The fumes of the bus rode up her nose and made her eyes water.
        She'd come west with a guy from home, Ronnie Sommers, who called himself Pan, and they'd had some adventures along the way, Star and Panlike Lewis and Clark, only brighter around the edges. Ronnie stopped for anybody with long hair, and that was universally good, opening up a whole world of places to crash, free food, drugs. They spent one night in Arizona in a teepee with a guy all tanned and lean, his hair tied back under a snakeskin headband, cooking brown rice and cauliflower over an open fire and swallowing peyote buds he'd gathered himself in the blinding white hills. "Hunters and gatherers," he kept saying, "that's what we are," and every time he said it they all broke up, and then Ronnie rolled a joint and she felt so good she made it with both of them.
        She was still chanting to herself, the leaves on the trees frying right before her eyes and the dollop of oatmeal staring up at her from the yellowish goat's milk like something that had come out of her own body, blown out, vomited out, naked and alive and burnished with its own fluids, when a shadow fell over her and there he was, Ronnie, hovering in the frame of her picture like a ghost image. "Hey," he said, squatting before her in his huaraches and cutoff jeans, "I missed you, where you been?" Then he was lifting her foot out of the dust, her right foot, the one with the fishhookshaped scar sealed into the flesh as a memento of her childhood, and he kissed her there, the wet impress of his lips dully glistening in the featureless glare.
        She stared at her own foot, at his hand and his long, gnawed fingers, at the silver and turquoise rings eating up the light. "Ringo-Pan," she said. He laughed. His hair was getting long at the back of his neck, spilling like string over the spool of his head, and his beard was starting to cohere. But his face-his face was small and distant, receding like a balloon swept up into the sky.
        "I was milking the goats," she said.
        Two kids-little kids-blond, naked, dirty, appeared on the periphery, flopped down and started wrestling in the dirt. Somebody was banging a tambourine, and now a flute started up, skirling and stopping and lifting away like birdsong. "Good shit, huh?" he said.
        Her smile came back, blissed-out, drenched with sun. Everything was alive everywhere. She could feel the earth spinning like a big ball beneath her feet. "Yeah," she said. "Oh, yeah. Definitely."

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